top of page
Grand Prairie Arts Council 2025 Season Tickets All Season Tickets include 9 events (48).png

AUDITIONS

Step back into NYC in the 1930’s the rough and tumble life of a little orphan named Annie We are seeking a diverse cast of adults and children (ages 7 and up) to bring this beautiful and moving story to life. Performers of all backgrounds, gender identities, body types, and abilities are encouraged to audition.

AUDITION DATES 

Please attend one general audition date at the

Veteran’s Park Event Center.

Tuesday, Sep 29

7:15 - 10:00 PM - 18+ Auditions

Wednesday, Sep 30
6:30 PM –  8:15PM - Kid/Teen Audition 

Thursday, October 1

7:15 - 10:00 PM - 18+ Auditions​​

Dance Call & Callbacks (By Invitation Only):

Saturday, October 3
9:00 AM – 10:00AM: Dance Callbacks 

10:15 - 12:00PM: Music and Reading Callbacks

We will send callback notifications by email by 5:00PM on Friday, October 2. Dance videos and reading sides will be available at www.artsgp.org/auditions by September 22nd. Appointments will be given priority, and walk-ins will be taken as time allows. 

 

Cannot make an in-person audition? Please contact the director at Criner00@yahoo.com

Veteran's Park Event Center, 925 Conover Drive, Grand Prairie, 75051      
                               
  *** Across the street from the Grand Prairie Memorial Library ***

SHOW SYNOPSIS: 

In 1930s New York City, spirited young orphan Annie escapes the cruel Miss Hannigan and sets out to find the parents who left her years ago. When she is invited to spend Christmas with billionaire Oliver Warbucks, Annie’s optimism transforms everyone around her—but a scheme to claim a reward for her return threatens her chance at a new family. Featuring beloved songs like “Tomorrow,” “Maybe,” and “It’s the Hard Knock Life,” Annie is a heartwarming musical about hope, resilience, and finding where you belong.

 

AUDITION WILL INCLUDE

MUSIC: Please prepare 32 bars of a musical theater song in the style of the show. You may audition with a song from the show. A pianist and Bluetooth speaker will be provided. Please bring music in the correct key and no tracks with backing/guided vocals or acapella auditions.

MONOLOGUE: Please select one of the provided monologues to perform or provide one of your own. If selecting a piece of your choice, please try to select something that is within the tone of the show and can showcase depth. (INFO COMING SOON)

DANCE: Dancing will be done at the callbacks on Saturday, October 4, by invitation only. Auditioners will be asked to perform a general audition combo. For those interested in being considered for more dance-heavy features, they will also be required to demonstrate across-the-floor ballet and ballroom steps. 

Videos of the general audition will be posted on the GPAC website by Monday, September 22.  

REHEARSALS: Begin Monday, October 13 

Rehearsals generally run Mondays - Thursdays, 7:00 PM - 10:00 PM, and Saturdays from 9 - 12 PM and/or 1 - 4PM. Promotional photos will be taken on a Friday. And tech week will start Sunday, December 7. 

A tentative calendar will be available at auditions. Please be sure to list ALL conflicts on your audition form, including days we do not specify we have rehearsals. Rehearsals are at GPAC's rehearsal space at the Veteran's Park Event Center and move to the Uptown Theater two weeks before the show opens

SHOW DATES: 

Thursday, December 11 at 8:00 PM (Preview)
Friday, December 12 at 8:00 PM
Saturday, December 13 at 2:00 PM and 8:00 PM

Sunday, December 14 at 2:00 PM

Friday, December 19 at 8:00 PM

Saturday, December 20 at 2:00 PM and 8:00 PM

Sunday, December 21 at 2:00 PM (Closing + Mandatory Strike)

PRODUCTION STAFF:

Artistic Director: Eric Criner

Assistant Director: Sydney Chiles

Music Director/Conductor: Keiohna Allen

Stage Manager: Taylor Teal
Set Design & Build: Matt Betz

Lighting Design/Operator: Holli Price

Sound Design: Ryan Brazil

Projection Design: Randy Gamez
Projection Tech: Randy Gamez

Costume Design: Erika Durham

©2026 by The Grand Prairie Arts Council

Photos & Vidoes courtesy of Kris Ikejiri & Mallory Roelke 

bottom of page